ANNA CALI

NYC - Berlin - Melbourne ★

ABN 64 706 474 239

Freelance creative generalist. Strategy, design, copy—and the pattern recognition to tie them together. I build ideas that work across disciplines and stick across cultures, from platform to execution.

A campaign for Coca-Cola that treats surveillance as witness, capturing genuine connection in moments people believe are unobserved.

observation

For Gen Z, digital surveillance is not feared but repurposed. They have transformed the tools of observation into a stage for authentic personal brands, performing intimacy for an audience they know is watching.

However, even in this curated landscape, a tension persists. The most valued moments are those that feel unscripted, unposed, genuinely caught.

'share a coke' campaign

The original campaign used personalised bottles to transform sharing from a simple act into a modern, shareable form of real-world connection. It drove mass participation by making the product itself a medium for personal expression.

positioning: coca-cola as witness to unscripted connection

We reposition Coca-Cola from a catalyst for staged sharing to a witness of genuine human moments. The brand captures connection as it actually happens, not as it is performed. This bridges the gap between the desire for authenticity and the reality of digital performance.

concept

True connection lives in unfiltered, unposed moments. We place Coca-Cola in situations where people believe they are unobserved, then reveal the footage as a celebration of real intimacy. Surveillance becomes not ominous, but a means to witness shared experience.

OOH & social

A hero film captures these caught moments across multiple scenarios. OOH placements use stills from the footage with minimal branding, appearing as found photography. Social campaign invites audience submission of their own unposed sharing moments, with selected entries featured as part of the ongoing witness archive.

hero film storyboard

The campaign subverts the usual “surveillance = threat” narrative. Here, CCTV becomes an accidental documentarian of authentic joy. The tagline works on two levels — they share as if no one’s watching, even though someone technically is.

01

Empty city street at 2 AM. Wet pavement reflects a single flickering streetlamp. Absolute stillness.

02

Figures burst around the corner, motion blur, laughing breathlessly. One almost trips. Their energy shatters the silence.

03

Glowing neon "OPEN 24 HOURS" sign of corner shop pulses like a lighthouse.

04

Shopkeeper looks up to see disheveled, glowing young people explode through the door. His expression: unamused but curious.

05

Shopkeeper glances at CCTV monitor bank. We see grainy black-and-white feed of the figures in aisle 3, grabbing snacks, still giggling.

06

Protagonists reach into glowing fridge for Coca-Cola bottles. One notices the small CCTV dome camera in the corner. Freezes. Points. They lock eyes with the lens.

07

They lean in together, all grins, and take a selfie with the CCTV camera — authentic, unposed.

08

They walk out, still laughing, mystery intact. Shopkeeper watches them go. He'll never know what they were running from — and doesn't need to.

09

Final sequence: grainy security footage only. We track them through subway turnstile, down escalator, onto platform. They share the Coca-Cola, clink bottles. Train arrives. Cut to black.